danish design - ceiling lamps
lamps by arne jacobsen
royal by arne jacobsen
The AJ Royal pendant from Louis Poulsen is a true classic, designed by Arne Jacobsen back in 1957 for the iconic SAS Royal Hotel in the heart of Copenhagen. With its simple and timeless design, this pendant has managed to maintain its popularity and elegance over the decades.
Orchid by arne jacobsen
søllerød by arne jacobsen
lamps by Bent Karlby
China by bent karlby
pantre by bent karlby
lamps by Hans J. Wegner
opala by Hans J. Wegner
The Opala pendant is a true classic designed by Hans J. Wegner back in 1973 for Hotel Scandinavia in Copenhagen.
the pendant by Hans J. Wegner
The HJW37 The Pendant was designed by Hans J. Wegner in 1962 and has been in production ever since. The pendant features an aluminium shade with a 24-carat gold- or nickel-plated hanger and extrudes a soft, warm light ideal to illuminate a dining- or coffee table. The design comprises several functional elements such as an optional lift and height adjustable socket to adapt the height of the lamp and the light bulb for glare free lighting. Its inherent versatility makes its suitable for both the living- and dining room.
lamps by Henning Klok
Doo-wop by henning klok
Doo-Wop is a pendant designed in the 1950s by Henning Klok for Louis Poulsen. Doo-Wop is an unpretentious and simple commute that is multi-use. It is harmonious in its design and very suitable for hanging alone, in row or cluster. Doo-Wop creates life in the living room, dining room, kitchen, home office, children’s room, hallway, staircase, bedroom – in short, it contributes to both a breath of fresh air and good lighting in the home’s room.
lamps by Jo Hammerborg
kastor by jo hammerborg
medio by jo hammerborg
nova by jo hammerborg
Orient by jo hammerborg
The Orient™ pendant is an ode to fine craftsmanship. Designed originally in 1963 by Jo Hammerborg, the pendant was relaunched in updated materials in 2013. The curvy organic shape with fine detailing elegantly conceals the light source and ensures a pleasant soft light without glare. Available in two colours, the stained ash with matt black aluminium is a modern interpretation of the original black version.
roulet by jo hammerborg
saturn by jo hammerborg
Toldbod by Louis Poulsen
Toldbod is designed by Louis Poulsen’s design team, and was introduced in 1982. The beautiful and simple lamp has since been used both inside and out. The inside of the customs shed lamp is white lacquered to create a uniform and focused light.
lamps by Jørn Utzon
concert by Jørn Utzon
The world-famous Concert™ is a Danish design staple. The unique shade configuration is visually characteristic of Utzon’s design ethos and is reminiscent of his greatest work, the Sydney Opera House. A three-step, glass diffuser casts pleasant, even light, making the Concert a perfect centrepiece in both a living space or meeting space.
Tivoli by Jørn Utzon
lamps by Louis Weisdorf
Konkylie By Louis Weisdorf
multi-lite By Louis Weisdorf
Elevate your interior with the GUBI Multi-Lite, a masterpiece of versatility designed by Louis Weisdorf in 1972. This iconic pendant defies traditional lighting by allowing you to transform its shape and light direction with a simple touch.
Customizable Design: The two mobile outer shades can be rotated to direct light upwards, downwards, or asymmetrically, creating a unique sculptural expression every time.
Timeless Aesthetics: A perfect blend of geometric shapes and high-end finishes like brass, chrome, and matte lacquer.
Versatile Use: Ideal as a focal point over a dining table, in a cozy corner, or as an artistic statement in the hallway.
turbo By Louis Weisdorf
Designed in 1967, the Turbo Pendant is one of Louis Weisdorf’s most celebrated works. Inspired by the lightness of a Japanese rice paper lantern, Weisdorf combined that ethereal quality with the durability and precision of Danish craftsmanship to create a lamp that feels both weightless and architectural.
lamps by Piet Hein
ra by piet hein
Experience the perfect marriage of science and art with the Ra Pendant, designed by the legendary Danish polymath Piet Hein in 1931. Named after the Egyptian sun god, the Ra lamp is a testament to Hein’s genius, utilizing mathematical precision to capture and tame light.
sinus by piet hein
Introduced in 1967, the Sinus Pendant represents the pinnacle of Piet Hein’s work with “mathematical design.” While the Ra lamp focused on the parabola, the Sinus was born from the sine wave, a harmonious curve that Hein translated into a three-dimensional lighting masterpiece.
super by piet hein
lamps by Poul Henningsen
Septima by poul henningsen
Septima is designed by Poul Henningsen and was first exhibited in 1928 at the Danish Art Industry Museum (today called Design Museum Denmark). Septima is one of Poul Henningsen’s most refined pendulums and consists of seven screens. The screens are made of clear glass with matte panels. It provides a great light and can be used over the dining table, in the bedroom or in the reading corner.
artichoke by poul henningsen
PH Artichoke was designed in 1958 by Poul Henningsen to the Langelinie Pavillion restaurant in Copenhagen, where it still hangs. PH Artichoke is characterized by its unique and sculptural design, is world-renowned and is considered an international design icon. The luminaire consists of 72 leaves divided into 12 rows, and their mutual placement gives a total blink-free light regardless of viewing angle. In order to ensure the high quality level, large parts of the production process still take place as manual work.
artichoke GLASS by poul henningsen
PH Artichoke was designed in 1958 by Poul Henningsen to the Langelinie Pavillion restaurant in Copenhagen, where it still hangs. PH Artichoke is characterized by its unique and sculptural design, is world-renowned and is considered an international design icon. The luminaire consists of 72 leaves divided into 12 rows, and their mutual placement gives a total blink-free light regardless of viewing angle. In order to ensure the high quality level, large parts of the production process still take place as manual work.
artichoke Fendi Casa Edition by poul henningsen
This exquisite PH Artichoke Glass Yellow is crafted with 72 yellow glass leaves, that are carefully mounted upon the high lustre chrome frame, to ensure the exceptional, glare-free light that this iconic Poul Henningsen design is known for. The PH Artichoke Glass Yellow is part of the Louis Poulsen | FENDI Casa collaboration, which debuted at Milan Design Week in 2023. Each of the pieces in the collection are reimagined versions of iconic Poul Henningsen designs, that subtly reflect FENDI’s distinctive design language through their luxurious colour scheme. With this collaboration Louis Poulsen and FENDI Casa have come together and created a collection of products that reflect a common approach to craftmanship, innovation and heritage, while exploring the idea of duality merging Danish design tradition and Italian excellence, resulting in modern interpretations of products created almost 100 years ago.
PH akademi by poul henningsen
Poul Henningsen’s partnership with Louis Poulsen started back in 1925-1926 when he designed his first lights for an exhibition in Paris. This partnership continued up until his death in 1967. Throughout his life, PH sought to create glare-free light, direct light where it was most needed, and create soft shadows, using incandescent bulbs as a light source. PH 3/2 Academy is a member of the three-shade family which numbers 30 lights today, including three for outdoor use. Thus PH did not just design a light, but an entire system – around a thousand different variants have been produced over the years. This wide selection consisted of table, floor and wall lamps, as well as a number of different chandeliers, which were very popular in the 30s for lighting private homes from high ceilings. There were countless combination options. The lights were available in different colours and materials, as well as a range of sizes. The first shades were made of metal with a painted undersurface, such as white, gold or silver – depending on whether diffuse, warm or cold light was desired. Glass was later introduced for the three-shade system. In addition to the downward-directed light, glass lamps illuminated the room.
ph 2/1(Stammekrone) by poul henningsen
Beautiful and classic lamp designed by Poul Henningsen. The fine lamp is made of high gloss chromed white opal mouth blown glass, which gives a soft light. In addition, the lamp is designed based on the reflective multi-screen system that ensures non-glare lighting.
The screen design is based on a logarithmic spiral, where the light source focal point is located in the center of the coil. The opaque glass of the mouth-blown relay, which is glossy on the outside and sandblasted on the inside, emits a diffuse and soft light. For example, hang the classic lamp above the dining table or in the living room for both comfortable and practical light.
ph bombardement by poul henningsen
ph Chandelier by poul henningsen
ph Chandelier by poul henningsen
ph Chandelier by poul henningsen
ph Chandelier by poul henningsen
ph 1-1 (3) Chandelier - Centenary Edition - by poul henningsen
ph 1-1 (6) Chandelier - Centenary Edition - by poul henningsen
ph 1-1 (9) Chandelier - Centenary Edition - by poul henningsen
In 1931 the 4-screen system was launched as you wanted to make a luminaire that could be mounted high up and thus an alternative to the often used chandeliers. The PH 4 screen lamp was designed to increase the amount of light transmitted horizontally from the lamp, thereby gaining greater lighting on walls and shelves than with the standard 3-screen lamp.
It was taken out of Louis Poulsen’s standard range in the 40’s, but was re-designed in 1979 by the two Danish architects Sophus Frandsen and Ebbe Christensen to the exhibition building Charlottenborg in Copenhagen, only in a larger size: PH 6½ / 6. To solve the endless glare problem, the two architects decided to add a small, inner blue screen to the design.
In addition, they also added a new surface: a matting white lacquered screen for more even and comfortable light – especially for use in museum and exhibition rooms, or just as general lighting in high-ceilinged rooms. In 1984, the smaller version PH 5 / 4½ was produced for Århus Musichouse.
louvre by poul henningsen
Poul Henningsen designed his first lights back in 1925-1926 for an exhibition in Paris. His work with Louis Poulsen continued right up until his death in 1967. Throughout his life, PH sought to create glare-free light, direct light where it was most needed, and create soft shadows, using incandescent bulbs as a light source. PH Louvre was designed for the Adventist Church in Skodsborg, Denmark in 1957. The globe-shaped fixture is made up of 13 shades mounted on four supports. It is a simplification of an earlier light Poul Henningsen designed in 1942, called the Spiral.
snowball by poul henningsen
The fine Snowball lamp was originally designed by Poul Henningsen in 1958. The Snowball was displayed together with PH 5 at the Kunstindustrimuseet. The extraordinary lamp, however, did not receive much attention on this occasion, and it was therefore only relaunched and manufactured from 1983. The exclusive designer lamp is perfect in the dining room above the table or as a beautiful and nice lighting in an entrance hall or hall. The lamp has a luminaire housing in high gloss chrome plated aluminum, aluminum alloy screen and high gloss chrome-plated cast aluminum frame.
kontrast by poul henningsen
Pariserlampen by poul henningsen
3½-3 by poul henningsen
To mark Poul Henningsen’s 120th birthday on 9 September, Louis Poulsen is launching the new PH 3½-3 pendant. The PH 3½-3 pendant is based on Poul Henningsen’s original drawings from the late1920s and early 1930s, featuring his renowned three-shade system. The pendant has metal shades, available in green, yellow, red and white. The fixture housing is silk mat brown and made of copper. All colours are based on Poul Henningsen’s colour universe. Like the designer, the fixtures are colourful! As an extra feature, all shades have a white painted rolled edge, accentuating the familiar profile of the three-shade fixture and creating beautiful optical symmetry. The shades are pressed at Louis Poulsen’s factory in Vejen, by Louis Poulsen’s own staff – a craft only very few are trained in. Although the fixture is over 80 years old, it is both modern and classic at the same time, making it ideally suited to a broad range of interior design environments. It is seen as a charming, rustic, functional and unpretentious fixture. The PH 3½-3 pendant is a piece of Danish lighting design history. It provides functional, decorative light, and gives any interior a boost simply by being there, whether lit or unlit. It is beautiful alone, or grouped with other fixtures.
ph 4/3 by poul henningsen
The PH 4/3 Pendant is a classic lighting design by Danish architect and designer Poul Henningsen, created as part of his famous PH lighting system. Designed to provide glare-free, comfortable illumination, the lamp uses Henningsen’s three-shade principle, which directs light downward while softly diffusing it to create a warm and balanced atmosphere.
The name 4/3 refers to the proportions of the top and middle shades, which are carefully calculated to optimize light distribution. Typically made from opal glass or metal, the PH 4/3 Pendant combines functional engineering with timeless elegance. Its simple yet sophisticated form makes it suitable for dining areas, living spaces, and public interiors alike.
More than just a lamp, the PH 4/3 Pendant reflects Henningsen’s belief that good design should improve everyday life by harmonizing light, space, and human comfort.
ph 4/4 by poul henningsen
PH 4½-4 by poul henningsen
The PH 4½-4 Glass Pendant is a member of the three-shade family which numbers 30 lights today, including three for outdoor use. Thus PH did not just design a light, but an entire system – around a thousand different models have been produced over the years. This wide selection consisted of table, floor and wall lamps, as well as a number of different chandeliers, which were very popular in the 30s for lighting private homes from high ceilings. There were countless combination options. The lights were available in different colours, as well as a range of sizes. The first shades were made of metal with a painted underside, such as white, gold or silver – depending on whether diffuse, warm or cold light was desired. Glass was later introduced for the three-shade system. In addition to the downward-directed light, glass lamps illuminated the room. PH was the first person to pursue a scientific approach to light and use the logarithmic spiral as a basis. By using a design based on the logarithmic spiral he achieved even distribution of light over the entire curve of the shade. This even light distribution, together with the diffuse reflection through the glass, made it possible to control glare and shadow. Each shade reduces the amount of light equally, due to their distance from the light source. The PH light model numbers refer to the shade size. Each top shade had a corresponding set of middle and lower shades. In the ‘pure’ models, such as the 2/2, the top shade has a size of about 20 cm, with corresponding lower shades. The PH 4½-4 Glass Pendant consists of an approximately 45 cm top shade, but uses lower shades from the 4/4 model. These ‘hybrid’ models were introduced due to the desire to hang the pendants at lower heights. The system was also used for wall, table and floor lamps. The 4½-4 Pendant in its current form was introduced in 1980.
ph5 by poul henningsen
Poul Henningsens (1894-1967) lifelong cooperation with Louis Poulsen began in 1924. Poul Henningsen was one of the first to acknowledge the importance of shaping the light, and in 1958, as a follow-up to his 1926 groundbreaking triangular system, he designed PH 5 the pendant. Based on careful analysis of the light’s reflection quality, PH 5 is characterized by the innovative non-slip form and symmetrical lighting. Poul Henningsen’s pioneering work in lighting theory, in terms of structure, shadow, glare and color reproduction in conjunction with human need for light, is still practiced today in Louis Poulsen.Poul Henningsen (1894-1967). The most significant lighting designer for Louis Poulsen, and his ideas underlie the company’s illumination philosophy. A cultural personality in addition to light spread beyond revue, satire and social criticism. The collaboration with Louis Poulsen continued the rest of PH’s life.
ph5/5 by poul henningsen
ph6/5 by poul henningsen
globe by poul henningsen
LP Centrum By Poul Henningsen
The LP Centrum Pendant is a refined lighting design by Danish designer Poul Henningsen, created with a strong focus on functional, glare-free illumination. Like many of Henningsen’s lamps, it is based on his deep understanding of how light interacts with space and the human eye.
The lamp features a characteristic multi-shade construction that directs light downward while softly reflecting it within the shades. This design reduces glare and creates an even, pleasant light that is ideal for both private and professional interiors. The LP Centrum Pendant is often used in larger rooms, where its calm and balanced lighting contributes to a comfortable atmosphere.
With its clean lines and thoughtful proportions, the LP Centrum Pendant represents Henningsen’s philosophy that lighting should be both practical and aesthetically pleasing. It stands as a timeless example of Danish design, where form and function work seamlessly together.
Tallerken by poul henningsen
Tivoli-lamp by poul henningsen
Tivoli-lamp is designed by Poul Henningsen in 1949 to Tivoli Copenhagen in limited numbers. Top of green painted metal with screen of spiral cut white lacquered metal. Transparent acrylic inner shades wrapped in red spiral. Produced by Louis Poulsen in 1949.
spiral by poul henningsen
lamps by Preben Fabricius & Jørgen Kastholm
p376 by preben fabricius & jørgen kastholm
Originally conceived in 1963, the P376 is composed of five concentric shades which create gradations of curves towards the middle of the lamp to emit a soft, diffused light. With its distinct profile, the P376’s strong visual presence belies its effortless functionality and cohesive expression. Available in two sizes and finishes, the lamp creates a feeling of warmth and intimacy when hung above dining tables and communal spaces.
lamps by Preben Dal
Symfoni by Preben Dal
lamps by Simon Henningsen
tivoli by simon Henningsen
lamps by Sven Middelboe
verona by sven middelboe
lamps by Verner Panton
ball by verner panton
Flowerpot by verner panton
In 1968, Verner Panton designed the organic and beautiful Flowerpot. The flowerpot lamp is made as a ceiling lamp, wall lamp and table lamp. It consists of two round screens of lacquered metal. Flowerpot is today produced by & tradition and is a well-known icon throughout the world.
Fun by verner panton
Many regard the Fun collection as one of Verner Panton’s greatest masterpieces in the field of lighting design. Ever since 1964, this pendant lamp has kindled joy and a wealth of stories.
Globe by verner panton
In 1969, Verner Panton designed the beautiful pendant lamp Globe for a furniture fair in Germany. The lamp is made of transparent acrylic with five reflectors in aluminum. Although Verner Panton designed the lamp in 1969, it was first put into production in 1976.
Globe by verner panton
In 1969, Verner Panton designed the beautiful pendant lamp Globe for a furniture fair in Germany. The lamp is made of transparent acrylic with five reflectors in aluminum. Although Verner Panton designed the lamp in 1969, it was first put into production in 1976.
moon by verner panton
Designed in 1960, the Moon represents one of Verner Panton’s earliest designs in lighting. The iconic pendant is characterized by its fan-like design with ten ring-shaped lamellae perfectly positioned to provide a soft, ambient and glare-free light. The blades reflect and filters the light and the pendant changes its appearance depending on the angle at which you view it.
New Wave by verner panton
onion by verner panton
pantop by verner panton
The elegant Pantop line was designed by Verner Panton in 1980, and has for a long time been a staple of the Verpan collection. Pantop is characterized by a bell-like, widely flaring shade which is mounted with the aperture facing down.
spiral by verner panton
The Spiral collection is not only a great example of Panton’s experimental approach to colours and shapes, but also a study in how an object can interact with its surroundings through reflection, sound and movement.
style by verner panton & Poul Henningsen
lamps by Vilhelm Lauritzen
radiohus by Vilhelm Lauritzen
VL45 Pendant light is a beautiful and simple lamp that fits perfectly in the Nordic style.
VL38 is based on the original lamps used in “Radiohuset” in Copenhagen.
The lamp has the small detail that the pendant is made of brass. The screen is in mouth-blown glass and provides a beautiful and diffused light.
However, you can decide how powerful a light you want, as the lamp can use up to 100W
Ring Crown 1 by Vilhelm Lauritzen
The beautiful and stylish VL Ring Crown was designed by Vilhelm Lauritzen in the 1940s. The beautiful chandelier is made of opal glass and brass. It is made in sizes 1, 3, 5 and 7.
Ring Crown by Vilhelm Lauritzen
The beautiful and stylish VL Ring Crown was designed by Vilhelm Lauritzen in the 1940s. The beautiful chandelier is made of opal glass and brass. It is made in sizes 1, 3, 5 and 7.
VL56 by Vilhelm Lauritzen
The well-known functionalist architect, Vilhelm Lauritzen designed the VL 56 Pendant for Folkets Hus, in Vesterbro Copenhagen. Originally designed and built for the Danish Labour Movement, the building opened in 1956 and is now used as a concert hall, called Vega. The building is a gesamtkunstwerk, meaning that Lauritzen designed everything in the building, from doorknobs, staircases and power outlets, to furniture and lamps. The VL 56 Pendant is one of the lamps Vilhelm Lauritzen designed for Vega, and to this day it hangs above the wood-panelled bar, adjacent to the concert hall. Both the chrome and brass variants were reintroduced in 2023, with slight adjustments and improvements.
lamps by Øivind Slatto
patera by Øivind Slatto
The beautiful lamp is designet by the Danish designer Øivind Slatto. Patera has the shape of a beautiful ball with a structure of small cells that spreads a fantastic light. The Patera pendant is designed carefully so that it captures the light in the most beautiful way. It also means that you can not see the light source from angles above 45 degrees.
patera Oval by Øivind Slatto
The beautiful lamp is designet by the Danish designer Øivind Slatto. Patera Oval has the shape of a beautiful ball with a structure of small cells that spreads a fantastic light. The Patera pendant is designed carefully so that it captures the light in the most beautiful way. It also means that you can not see the light source from angles above 45 degrees.
Swirl 1 by Øivind Slatto
The Hvirvel Pendant, designed by Danish designer Øivind Slaatto, is a modern and sculptural lamp that combines inspiration from nature with advanced lighting design. The lamp’s organic form is inspired by spiral movements found in nature, such as whirlpools in water or swirling wind, which is clearly reflected in its dynamic and elegant appearance.
The pendant is constructed from overlapping lamellae that create soft, indirect, and glare-free light. The light is evenly filtered through the structure, creating a pleasant atmosphere while allowing the lamp to function as a striking visual element in the space. The Hvirvel Pendant is therefore well suited for use above dining tables, in living areas, and in larger open interiors.
With the Hvirvel Pendant, Øivind Slaatto demonstrates his design philosophy, where aesthetics, function, and human experience come together seamlessly. The lamp is a contemporary example of Danish design, combining technical precision with poetic form.
